|








 

|
Home | Money | Power | Pax Americana | Sanctions | Relocalise | Resource | Gaza 08/09 | Comment |
Imperial Grand Strategy
(Noam
Chomsky - AK Press 2005) Not bad value this - a 220 minute
DVD packed with Noam Chomsky. Of course, if you are not a
Chomsky fan you will probably find this unwatchable. It is,
without doubt, probably the least entertaining DVD you will
ever watch but, at the same time it is fantastic. If you
really can't be bothered to read a Noam Chomsky book then
THIS is the DVD for you! There are three sections, the first
from a speech at the University of Manchester (England)
deals with the main title of the DVD, the second is a speech
delivered at Merrimack College on the assault on freedom and
democracy, whilst the third is an interview on anarchism. If
you have read his work then you will it remarkably densely
packed with facts and data. You would think that he must
have an army of researchers helping him piece together his
books but when you see him speak you suddenly realise that
he has it all in his head. He speaks for an hour without
notes plucking quotes and data out of the air with enormous
authority. If you read his "Understanding Power", which was
compiled from his talks, then this will ring true. That book
reads like a thorough piece of research but it was just the
words from his mouth. You could just transcribe every word
into a manuscript, publish and - bang - a new Chomsky book.
No wonder he is so prolific. He can just dictate his books.
This can only mean that Noam must have one of the most
remarkable minds of this century. He is a walking
encyclopaedia on the conditions and politics of modern
empire. Although the content may be dry there are a few
laughs raised from his equally dry sense-of-humour. His
chosen topics were bang up to date when this was recorded in
2004. The talk at Manchester marked the one year anniversary
of Bush jnr's declaration of the "end" of the Iraq War. He
talks about the invasion and the reasons for the US military
aggression against Iraq. The second section moves onto
broader topics of imperial strategies. He discusses the
Patriot Acts I & II and the long US history of democracy
prevention abroad. The interview at the back is a more
personal interchange about Chomsky's anarchist principles
with Barry Pateman of the
Emma
Goldman (famous Anarchist) Archives. Although the content is 100% pure gold
dust the presentation is sadly amateurish in places. The
videography (and sometimes even the sound) on the Manchester
speech borders on the atrocious. The camera's look like they
are being operated by a group of passing five-year-olds.
Chomsky deserves better than this. Copies of this work were
available through Amazon but you can purchase direct from AK
Press in the UK at
www.akuk.com.
Classic. |
Money as Debt
'Money as Debt' would not seem to be a title of immediate
relevance to Peak Oil or Climate Change. We were put onto
this by the people behind the UK Transition Towns Project so
we were intrigued as to its relevance. It is a 47 minute
animated documentary - which, at first, sounds dreadful.
However, give it a minute. It is relevant to the flawed
paradigm of infinite growth. It shows, through simple
illustration, how our money supply has been conjured out of
thin air and is only serviced by Debt. If there is no debt
then there is no money and our Financial Institutions would
collapse. The entire monetary system only perpetuates itself
because a small number of Loans actually foreclose to inject
real world capital into the system. This all seems
counter-intuitive as we personally experience an increase in
our fortunes when we pay off our loans as it gives us more
money. However, for Central Banks and the Governments who
entrust our Economic welfare to these centralised systems,
the system only works if we keep borrowing money. This means
that the economy cannot be static. It keeps having to grow
to service the debt and make the money that makes the world
go around. This pushes the paradigm of endless growth.
Endless growth pushes the requirement to continually extract
more and more mineral resource from the Planet, ie, Oil. Oil
is specifically illustrated if only briefly, with a Peak Oil
graph. Hence the entire house of cards comes tumbling down.
We cannot grow infinitely on a Finite Planet hence the
monetary system cannot continue to exist in its current
form. At this point several alternative systems of money are
discussed. We were previously aware of the fiscal weakness
of the system as it has been illustrated in a couple of
works on Peak Oil already. Continual expansion of energy
supplies continues to pump up the Economy and Population.
This is unsustainable therefore it has to come to an end one
day. If this all sounds like some kind of Marxist conspiracy
theory then stop right there. The producers of this DVD
sprinkle in
liberally with quotes that back them to the
hilt. The quotes are from some of the World's leading
Bankers and US Presidents - all of whom openly admitted
that the system could not be sustained and would be -
someday - in need of reform. To learn more go to
www.moneyasdebt.net.
This DVD is only available from its artist & videographer in
Canada - specifically Paul Grignon at the above web site.
The animation is not for kids. You may not like it. It isn't
for al tastes but it delivers the message very well and is
sometimes amusing. |
Internationally Speaking
Christine
Rose's 2005 Documentary is based on a really simple idea.
She drew inspiration from the James Zetlen website where
people posted "sorry" notices to the rest of the World in
2004 after George Bush Jnr won his second term in the
Whitehouse. Christine obviously struck upon a really good
idea. Why not travel the globe performing a global vox-pop
to find out what ordinary people in 'the street' really
think of America? Unfortunately such a opus would require a
lot of money. Instead she brought together her "coalition of
the willing" - independent film makers on all continents -
to do the work for her and pop the tape in the post! The end
result has a highly variable quality picture whilst the
sound level jumps around a bit so be prepared to have your
TV remote with you as you watch! However, this is purely a
cosmetic complaint and it rarely distracts from the
genuinely fantastic effort that we see. Sadly, cosmetics to
one side, the quality of the vox pop leaves a lot to be
desired. Despite getting input from what must be over twenty
countries the actual number of participants looks like one
person per country. We don't get a genuine sense that this
is a very representative sample! This somewhat erodes the
authority of the work. Around an hour into it the makers are
so obviously bored with what people have to say that the
start inserting black and white movie clips of old Westerns
with a few Popeye Cartoons thrown in for good measure. Most
of this stuff is just great but why wait until so late in
the work to include and then massively over-use it? If you
want to see how to use that technique really well watch "The
Corporation". Despite these disappointing aspects we do get
some good quality insight from Noam Chomsky, Medea Benjamin
("Code Pink" founder) and Michael Ratner (human rights
lawyer). Christine does manage to edit all together into a
meaningful whole and it hangs together reasonably well.
However it lacks a satisfying thread to hold it together.
Some of the traditional beginning, middle, end structure
doesn't manifest itself and you get the feeling it may have
worked better with a good editor at the helm. It comes so
close to a 'killer point' on many occasions only to fluff it
at the last minute with overly long footage. It might have
been a better idea to organise the topics around what people
were saying in the vox-pop. You get the feeling that they
simply didn't get the quality of the material they wanted
from 'the street' so they ended up bulking it out into a
conventional documentary. Ironically the "conventional
Documentary" bits work really well. In fact, with a bit more
work this could have rivalled "The Corporation". Christine
kept to her guns so that everything about the movie is
orientated around her precious "voices of the world". Maybe
we should have a whip-round so she can
go out and film the vox-pop again? To be fair she does cover
the ground. All the right topics are here - from the Human
Rights abuses to the suffering of Afghanistan.... But it is
all couched in the 'brotherhood of people' hippy-chic that
it leaves you feeling confused. You should be angry. But the
movie directs to go out and hug someone. Will the right
people in America watch this and gain insight into why they
are hated so much? I doubt it. But 10 out of 10 for effort. |
Manufacturing Consent
1992's
"Manufacturing Consent - Noam Chomsky and the Media" was put
together by Mark Achbar (Co-Produced and co-Directed) who
also brought us "The Corporation" in 2005. In fact he makes
specific reference to his previous work in the Commentary
and the "Making of... The Corporation" as featured on the
DVD presentation of the later work. This is recommendation
enough as "The Corporation" is one best made movies in this
category you will ever see. Sadly "Manufacturing Consent" is
as dull as the 1988 book (of the same name as co-authored
with Ed Herman) is fascinating. That isn't to say that it
doesn't have its moments, but at an unbelievably 167 minutes
long, this is way too much quantity and not enough quality.
The makers admit to putting together 120 hours of 16mm film
as well as various sizes of video and archival images from
around 185 sources through 500 people. It is just too much.
The film meanders through what seems to be several years of
Noam Chomsky's life. Noam himself commented on what felt to
him as being 500 hours of video scrutiny. It took four years
to make and it feels like it. Never has so much time been
dedicated to making such a long movie about one man. Those
of you who thought there was much of a connection between
this and the book of the same name might be a little
disappointed. Although that element does run through the
movie (and supplies some of the more interesting bits) a
large proportion is just general coverage of Chomsky
Globe-trotting around the globe to various lectures, debates
and award ceremonies. Ironically you can learn all of this
from the companion book to the film. Yes, they wrote a book
about a movie about a book. Well, if you spent five years
putting one movie together you might as well make the most
of it. The topics covered are quite vast and a lot of air
time is given to Chomsky critics and those wishing to defend
the media against this Chomsky intellectual onslaught. The
archival material spans around 25 years but, in truth, we
get to know Chomsky from the cradle. Inside this movie is
one humdinger of a great documentary just waiting to get
out. You just want to pay an editor to do the job.... This
DVD contains an extra 45 minutes of "extra video material"
that I haven't even had the heart to watch yet. The cover
blurb optimistically talks about how "funny" and
"accessible" "Manufacturing Consent" is but, unless you are
deep into Chomsky-worship then you will find this tedious.
So, why buy this? Probably because there are nuggets of gold
here. It is recommended that you do not watch this entire
movie at once. It is probably for this reason that there is
an intermission in the middle! Call
it "Volume I" and "Volume II" - a few bite-sized chunks will
make this easier to swallow rather than losing the will to
live. The original 1988 book is highly recommended - given a
choice please choose the book. However, if you have a lot of
time to kill dip into this movie when the fancy takes you.
Give it a year or two maybe it will even grow on you.
Otherwise it has the feel of an amateurish Film School art
project - both clever and infuriating. Borrow before you
buy. |
Instant-Mix Imperial
Democracy
"Instant
Mix Imperial Democracy" and "Come September" - two talks by
Arundhati Roy with Howard Zinn. This was released by AK
Press in 2003. This 210 minute presentation also includes
the Q&A session at UCLA and "Day of the Jackals" reading
(also at UCLA). The "Come September" talk comes first and
was recorded at the Lensic Performing Arts Center in Sante
Fe, New Mexico, on September 18th 2002. "Instant-Mix
Imperial Democracy - Buy One Get One Free" was presented at
the Riverside Church in New York on May 13th 2003. "The Day
of the Jackals" was recorded a few days later in May that
year. Those of you more familiar with the work of Chomsky or
Pilger may well be taken aback by Arundhati. Her publicity
photo's have her formally dressed in Sari and she looks
quite formidable. Certainly her intellectual breadth is
astounding as brings together great writing skills with
politics in what is closer to poetry. Her turn of phrase is
rich in irony and, as the title suggests, humour! The UCLA
monologue has her in far more relaxed mode as she faces the
camera in casual western clothes. Her strappy top says "Drop
Bush Not Bombs"! For the first time the "formidable" drops
away and the viewer finds that Roy appears fragile, young,
pretty. Such a great mind in such a small package. Lovable.
The 2002 speech is not her finest hour as she seems a little
awkward and admits that talking in public is not really her
thing. In all cases she reads aloud from her own writings.
However, by 2003 she presents with greater confidence and
the quality of her work is head and shoulders over "Come
September". "Instant Mix" is cutting, angry, emotive,
sarcastic - a rallying call to the people of the World who
are afraid of America, angry, or both. Although seemingly
never moved to emotion herself it is difficult for the
viewer not to get caught up in the passion. You just feel
like punching he air and saying "Yes! That is so true!" At
points she is greeted with rapturous applause - remember she
is in New York less than two years after 9/11. You would not
expect her to have such appeal. The audience is there.
Sadly, as is true through this entire DVD there is only one
Camera angle, ie, only one camera, so we never get an idea
as to where she is or the size of her audience. It is pretty
much her talking head for three hours. We do get some Q&A
which is largely dispensable. The sections with Howard Zinn
are awkward as he clearly is not comfortable in front of an
audience until he warms to a topic - then he talks endlessly
forgetting his guest. So maybe too much quantity but the
quality is remarkable. Sound and picture quality are
perfect. A must. |
Anarchism in America
"Anarchism
in America" is not new as it consists of two documentaries
filmed in the early 1980's by Steven Fischer and Joel
Sucher. The first is the title feature (75 minutes) and the
second is the same-ish "The Free Voice of Labor: The Jewish
Anarchists" (55 minutes). This will probably be the first
DVD you may have bought in English and Yiddish. The quality
of the picture is poor as the original celluloid has faded
in the last 25 years before transfer to DVD and the look is
heavily dated. The first movie is a road-trip across America
meeting various peoples who call themselves "Anarchists".
With one exception they all seem perfectly wonderful people
and the film makers muse about the essential "freedom from
government" ethic that came across with the first European
settlers. Is this the American spirit? It almost all falls
apart when they interview one jackass who believed that his
personal anti-social behaviour, such as jumping red lights
and Bus Queues, constituted "anarchy". There is a thin line
between anarchy and chaos. It is a short distance from chaos
to selfishness and tyranny. Maybe American anarchism is
within the thought patterns of today's American Empire
builders? You can react to persecution in two ways: run
away, or remake the world in your image. The US Government
is trying the latter. One man's freedom, security and
independence is another's slavery. Just look at Israel.
However it is hard to dispute the genuinely benign ambitions
of the true Anarchists featured. One was a former speech
writer for the Republican Party in the 1960's. He believed
the politicians talked anarchist concepts but could never
live up to the dream. The follow up documentary about the
Jewish Anarchists concerns immigrants to America in the 19th
and early 20th Century. They reacted to sweat shops with
Unions and Anarchism. They were persecuted, some even
executed on trumped up charges. This work proves that there
was a rich and active form of socialism and left-wing
thinking in America right up until World War II. Ironically
whilst the world triumphed over Fascism in 1945 the US
quietly slipped into its grips as it peoples gave up their
dreams. They became co-opted by the vision of a consumerist
paradise. Apart from some interesting historical insights
and some footage of Emma Goldman there is nothing much
here that can be classed as essential viewing. Interesting
background is all it lives up to. Most amusing is the
opening to the first movie where the film-makers conduct a
vox-pop asking members of the public whether they knew what
Anarchism was and if they knew any Anarchists? The answers
were mostly ludicrous with one gentleman even saying that
the Ayatollah Khomeini was an anarchist. Living a life free
of Government oppression has never been a more dim and
distant dream. Especially in America. |
How Cuba Survived Peak Oil
A
53 minute Documentary from the "Community Solutions"
Organisation operating out of Ohio, USA. It is incredibly
unusual to find a Documentary about Peak Oil. Indeed it is
quite rare to find a Documentary that is sympathetic to
Cuba. Here we have both. Often we see Cuba as a basket case.
A dinosaur Communist Country in a World where Capitalism
won. If this is your view then maybe this film will just
change your mind. Whilst Cuba has suffered from an illegal
and unjust economic blockade by the USA since the 1960's
(not to mention the illegal military intervention and
terrorist attacks) their world collapsed with the downfall
of the Soviet Union in 1989. Suddenly their Oil Imports
dropped by 90%. Due to their enforced economic isolation
Cuba then became a model of what will happen when Peak Oil
hits everyone else. Falling outside the neo-liberal models
of the West they didn't cut the schools, universities and
health-care programs. Cuba today has a higher-life
expectancy than America does. It has higher literacy rates
too. So how did they manage without Oil? Well, they called
in Permaculture experts from Australia. They made a million
bicycles. They broke up the Universities and Healthcare
services and based them in the communities. They introduced
food rationing. They expanded public transport with
ingenious measures. Oxen reappeared on the land. In short,
their leadership responded to the crisis: - they organised,
they powered-down, they recycled and substituted, they moved
and stayed, invested and generated, they made do and grew
their own food. It was a text-book example. People returned
to the land and farming became a prized skill. They learnt
to grow all their food organically - no pesticides, no
fertilizers. This is a message of hope for all of us.
We can cope with Peak Oil and American sanctions. Watch the faces in this movie -
they are
not the middle-class, muesli eating, Guardian readers,
worrying about Climate Change. Global Warming is NEVER
mentioned once in this entire documentary.
These are people
who's Communities responded to change with grass-roots
activity. The people didn't wait for the Government to solve
their problems. They voted with their feet. If you know
anything about Cuba, its people or style of democracy you
will know this is typical. At no point do any Government
officials appear in the movie. It isn't clear how much
guidance they supplied or whether any censorship was
applied. However, it appears genuine. Cuba is a test-tube
experiment and we must all learn from it. What is more -
Cuba deserves our sympathy and help. To learn more about
Cuba and Peak Oil go to
www.communitysolution.org/cuba. You can buy your copy of
this movie from
www.green-shopping.co.uk. |
A Crude Awakening
This hit the cinema screens at a few selected places in the
UK in November 2007 and was hyped considerably.
Unfortunately it was unable to top the "Crude Impact" work
released around the same time. Coming out maybe a little
later the Indy movie crowd had warmed up to Peak Oil as a
documentary theme which probably guaranteed greater exposure
for this lesser work. It obviously lacks much of the globe-trotting human element of its
elder and wiser sibling. Produced and Directed by Basil
Gelpke and Ray McCormack this movie takes you to Baku,
Azerbaijan to look at the origins of the Oil Industry with
some great vintage footage. The movie is set to a specially
written score by Phillip Glass but it is not particularly
inspiring and it doesn't set this movie aside. You will get
the usual assortment of talking heads - everyone from Colin
Campbell to Matt Simmons. The usual suspects. However, there
is probably just a little too much opinion and not enough
graphics to make this generally palatable to a wider
audience. Indeed, most of the extra material on the DVD just
consists of extended interviews with these people. The
general population is simply not going to sit through this.
The subject matter is handled in a straightforward and
non-sensational manner. There is plenty of illustrative
stock-footage to amuse the eye. Most of the movie is spent
ruminating over Oil and War. We learn that one of the
talking heads believes that the Bush administration sees
"democratisation of the Middle East" as a way of liberating
their Oil Supplies.... But then there is plenty of attention
given to the shady relationship between Washington and the
Saudi Royal Family. The documentary does make pains to tell
the audience that American support for corrupt and
un-democratic regimes in the Middle-East is the reason for
their mass unpopularity in those parts of the world. That is
putting in mildly. Some of the talking heads rather
gleefully tell us that Oil comes from the places that are
full of "terrorists". This is putting effect before cause.
These subtle contradictions in the opinions, between the
experts, will only serve to confuse the audience. This work
should have been edited together in a more cohesive fashion
to deliver a clear message. All-in-all this is just TOO tame
to awaken Joe Public. Otherwise it is a pick'n'mix of
vaguely related ideas designed to confuse the issue. It all
ends in a whimper when we fade with the picture of some
crofter digging her garden and herding her goats as the Wind
Turbine turns in the background. When asked to consider life
after the oil crash we cut to a short and pointless section
on the Amish running around in horse-drawn buggies. This
goes largely without comment and we assume the audience is
meant to draw their own conclusions? This is really
expecting too much. Then we cut to a talking head who tells
us that we can't return to an agrarian existence because it
would be against "evolution". On
what evidence does he base this? I am sure the Romans
thought the same way 2000 years ago. We are treated to a
vague ramble through the hydrogen economy although no one
properly points out the technological challenges that, as
yet, remain unsolved. Likewise, bio-mass fuels are not given
a proper review and we are left guessing whether they are
good, bad or indifferent. Too subtle by half. This
movie has no end and no conclusion. A run-of-the-mill
documentary. Obtain
your copy from
www.lifeaftertheoilcrash.net or
www.dogwoof.com. To
learn more go to
www.oilcrashmovie.com. |
The End of Suburbia
Since World War II Suburbia has become the American Dream which
is why Peak Oil strikes at the very heart of that way of
life. In terms of the word 'dream' this is quite an alien
concept outside of the US as few countries have had the
luxury (or short-sightedness maybe) to follow this model. It
is a product of seemingly endless cheap energy and boundless
post war optimism. The automobile replaced the community -
roads replaced pavements. Ironically, whereas Europe was
destroyed by bombs the post war American Urban landscape was
demolished by the wrecking ball in what Kunstler calls the
'greatest misallocation of resources in the history of the
world'. Europe and Japan neither had the space nor the
energy for this experiment. This 78 minute 2004 documentary
is accompanied on the DVD by two whimsical 1950's
educational films - interesting but hardly essential - and
an audio commentary. The Director, Gregory Greene, started
the project thinking he would make a documentary about 9/11.
However, the more he studied the 'war on terror' the more he
realised it was about Peak Oil. Outside of the US it is hard
to image why Americans are willing to close their eyes to
the evil done in their name. Why is the American way of life
non-negotiable yet everyone else's is? It is the myth of
suburban life that is under the skin of the America. It is a
living breathing cult. No one in the documentary is scared
to say this. There is one architect who is trying to promote
"The New Urbanism" in places like Denver and the documentary
does steer clear of the darker side of Peak Oil theory. Food
production is mentioned at length but the Directory
describes this work as "peak Oil-lite" but at the same time
said that this film scared his wife. If Peak Oil-lite is
this frightening God help us all. The expert talking heads
appearing in the movie is a who's who of Peak Oil guru's.
Anyone who is anyone gets extended interview slots: Richard
Heinberg, Julian Darley, Michael Klare, Colin Campbell,
Michael Ruppert and James Howard Kunstler. In fact
the film-makers were criticised because all the participants
were men. This movie is a far better introduction to the
topic than Greene's later work but it is still too long.
Some points are too laboured and it could have been edited
down to a more punchier 60 minutes. However, it is all good
and probably one of the best documentaries we have seen so
far that should be shown to a general audience on the basis
that it could hold their attention. All the main themes are
there. All the characters are in place. It is still NOT Peak
Oil's "An Inconvenient Truth"
but
it is half way there. It doesn't overly shock nor numb and
audience. Buy this and show it to everyone you know. And
hundreds you do not. The makers are so convinced of the cause
that they grant open license. You can show this movie to
whoever you want. They originally talked to major
Distributors to finance the work but no one wanted to make
the documentary in the form proposed. It was seen as too
depressing. So the makers decided to make it independently.
The world is a better place for this. Get your copy from
www.powerswitch.org.uk/order.htm |
The Oil Factor
"The Oil Factor" is far less about Peak Oil and far more
about the State of the World and the so called 'War on
Terror'. Readers of Chomsky, Ruppert or Vidal would find
this pretty familiar territory and there is nothing new
here. However, if you are not familiar with the topic and
like a nice 90 minute DVD Movie to watch then this is the
Documentary for you. It is made by Gerard Ungerman and
Audrey Brohy who won't be familiar names to many. However,
the professionalism and style of the Movie means you could
easily see this playing on terrestrial TV. Although overly
long it is a proper documentary and seemingly well funded.
The Directors spent three months in Iraq, Pakistan and
Afghanistan filming this work which exposes the terrible
human cost behind the war on terror. They reveal how the
'war' has very little to do with the 'terror'. It is,
obviously, all about pursuing control over the last
remaining oil supplies on the planet. This is a fact that is
so obvious now it seems a truism. However, to an American
audience this is probably subversive stuff. There is a
surprising combination of characters interviewed including
Zbigniew Brzezinski, Noam Chomsky and Gary Schmitt. Sadly
Noam's contribution
is too
short whilst we get to hear quite too much of the new
world order fantasy of the Director for the "Project for the
New American Century (Schmitt). "Taliban" author Ahmed
Rashid appears as does someone called Karen Kwiatkwoski who
used to work at the Pentagon. If you want to make sense of
the endless wars being waged across this planet then watch
this. If you despair of the mounting body bags flying home
at midnight and it makes you angry then show this movie to
your friends. Recommended but it isn't that punchy or
exciting. You can order yourself a copy at
www.freewillprod.com/Order.htm and read more about the
movie at
www.theoilfactor.com. |
|
The War on Democracy
John
Pilger is somewhat of a romantic and this comes across in his
2007 documentary charting the American Empire's attempts to
crush South American Democracy since 1945. In content there is
not a lot here that you could not read about in far more detail
in Chomsky's brilliant "Deterring Democracy". However, Chomsky
is a hardened realist who would probably not put quite such a
shine on recent events. For it is the very idea that Latin
America must not be self-governed - under ANY circumstance that
is so very frightening. The struggle has been bitter and
countless lives have been lost. In fact this is a very painful
documentary to watch. The "12" rating on the back actually says
"Contains real images of human suffering". Be warned - it does.
Dreadful suffering. Unimaginable suffering. Entire nations and
peoples suffering. Awful stories of torture under Pinochet. This
movie moved me to tears. It is hard to watch such suffering and
not get angry. However, as we say, Pilger retains some romance
for Latin America. He sees the nobility in their endurance and
resistance. He relishes the tales of the people who fought back
against empire - and won. His work is at its most compelling
when he presents the undeniable evidence of Washington's
complicity in the destruction of hope in an entire continent.
The truth is admitted to by a long string of CIA Agents who seem
almost gleefully happy to tell Pilger about their contempt for
other people's Democracy. Then we have the tortured American
Nun. She recognised one of her torturers as a fellow American
citizen. In tears she gasps at the US Media's charade that made
out that Abu Ghraib was an isolated incidence. "What kind of
history do we teach in our schools?" she cries. Indeed. America
is blind to its own crimes. Pilger gets to interview Hugo Chavez
to cut through the American Media's grossly distorted view of
him. Sadly, although obviously intelligent, we get no great
impression of who 'Chavez-the-man' is. I am sure an interview
with Stalin would have been equally unenlightening. Few,
however, could not be moved by how the people of the barrios
love him - and for good reason. The Venezuelan middle classes
hate him only because they have lost political power. Oddly they
seem to have lost nothing else and their TV Stations throw out
hateful polemic out against Chavez on a daily basis. What
censorship?! His poor have a constitution and a leader they
elected. They have democracy, at last. One day in 2002 it was
nearly snuffed out in a coupe. The people of the barrios rose up
against the replacement dictator (in the payroll of America's
"Endowment for Democracy" - truly a fine piece of Orwellian
doublespeak). Pilger glosses over the fact that it was the Army
who over-threw the coupe, not really the people. As Chavez is a
former Army Officer this maybe explains his true power-base.
American undermined 50 elected Governments since 1945 and
directly attacked 30 countries. Pilger listed those Latin
American states so attacked in his lifetime. It left you
wondering - was there anywhere left that Washington had not
bombed? And so to Chile where Pilger is highly effective in
covering the rise of Washington's man - Pinochet. Sadly the
coverage of the post-Pinochet era of "economic violence" at the
hands of Bush's "Chicago Boys" pails into insignificance in
comparison to the death squads of the Pinochet fascist regime.
The
economic horror should really have been left to another
documentary. Finally we end up in Bolivia with a story of hope
as the indigenous people fought, and won, not only over the
Bechtel takeover of their Water, but also for the election of an
Indigenous President. This is a great documentary, sometimes
painful to watch, mostly inspiring, thoroughly convincing, a
touch weak in places, but always on the money. If you buy one
Pilger DVD make it this. To learn more go to
www.warondemocracy.net. |
Documentaries that Changed the
World
"Documentaries
that Changed the World" was released as a 4 DVD set in 2006. It
has a small booklet written by the Guardian's Mark Curtis (who
also appears in "Stealing a Nation"). It also has an interview
with John Pilger by Anthony Hayward at the Guardian Hay Festival
in 2006. For your money you get a total runtime of 644 minutes
covering 12 separate documentaries. The earliest dates back to
1970 in Vietnam. We track John in no particular order as he
globe trots across the world taking in Cambodia, Nicaragua, East
Timor, Australia, Iraq, Palestine and the Chagos Islands. We get
to see absolutely everything wrong with the world through John's
eyes. In this he is utterly faultless. Apart from the first
Vietnam work the documentaries all bare his hallmarks.
Particularly of note are his interviews with many terrible
villains. He treats with journalistic respect but always managed
to pull out some statistic that stuns his interviewee. There is
then always some preposterous response leading to John's
characteristic "you are joking right?" withering look. Classic.
Of note was the US Government official's utter disbelief when
John points out that the US had intervened Militarily in 77
separate countries. John then lists them on screen with all the
facts. There is much brilliance here. Often the reaction of the
viewer is outrage. You are easily moved to tears not so much my
man's inhumanity to man but by the bravery of the victims. John
exposes the lies not only of foreign Governments but also those
of the US, Australia and Britain. We should all hang our heads
in shame that we ever let these things happen in our name.
John's angle is always that the Wes is somehow to blame. Given
the evidence he unveils it is hard to disagree with this
conclusion. So, what to do with nearly 11 hours of documentary?
You just need to dip into these when you feel motivation - when
you want to get angry. For this, and tears, is what this work
invokes. He says more in 1 hour than Chomsky can communicate in
a dozen books. If
you want to know what happened to Nicaragua then "A Nation's
Right to Survive" is the one to watch. The War on Terror? Watch
"Breaking the Silence". And so it goes on. Did these
Documentaries change the world? Probably not but we know for
sure that his work in Cambodia, East Timor, the Chagos Islands
and Vietnam told people uncomfortable truths that got prime-time
airtime. He moved people. Things changed. Recommended, but don't
try and watch them all at once. |
Distorted Morality
"Distorted
Morality" is a three Hour film of Noam Chomsky delivering a
couple of talks on themes similar to those found on "Imperial
Grand Strategy". Indeed the second feature on the DVD is
"Washington's Imperial Grand Strategy" as delivered on April
15th 2003 at MIT. Much of the comments made for "Imperial Grand
Strategy" apply to this release although the quality of the
filming is somewhat better. The first feature is from a talk
given at Harvard University on February the 6th in 2002. Chomsky
kicks off with his familiar, and authoritative, interpretation
of recent events that goes a little like this: there is no war
on terror. He goes back to the 'peak year' for international
terrorism in the mid 1980's to discuss how academics and the
media portrayed 'terrorism' as being 'state-sponsored' by some
foreign power and directed against Americans and their allies
(primarily Israel). The 'peak year' feature a handful of deaths
of those 'people who matter'. This made the news and was
classified as a terrible evil. However, the same year saw of CIA
bomb kill nearly fifty women and children leaving a mosque in
Beirut. The same year Israel bombed Tunis killing many more...
And so on. In each case our own crimes are never classified as
terrorism, no matter how great those crimes were. "Terrorism" is
always something THEY do to US. WE can terrify an entire
population of a country or bomb it into the stone age. But it
will be 'self-defence'. Hence this leads us to the Chomsky
definition of "terrorism", ie, it is something the enemy does.
The US went to the UN time after time and veto'd Resolution
after Resolution condemning Terrorism. Yet who remembers this
today? Was it even reported by the media? No, it just isn't fit
for the people to learn their own country is the World's number
ONE exporter of state-sponsored Terrorism. In terms of death
toll the US is head-and-shoulders above the nearest competitor.
Terrorism is the chosen weapon of the strong against the weak.
The follow-up talk, from MIT a year later, touches on the
National Security Strategy announced on September 17th. There it
was made clear that US Foreign policy would choose violence over
diplomacy as a first resort. This will be a permanent
arrangement and pre-emptive
war will be a matter of policy. The US reserves for itself the
right to attack anyone, anytime for ANY REASON. No actual
evidence of a real threat has to be involved. It is enough to
challenge the US in the economic sphere. This is all Chomsky at
his best. He reveals what we all know to be true and terrifying.
Then he backs it up with demonstrable fact after demonstrable
fact. A perfect companion to the DVD "Imperial Grand Strategy".
Recommended. Orwell has a spare copy of this DVD to give away.
Just send me you name and address on a note to
. |
America - Freedom to Fascism
Aaron
Russo's 2006 Documentary "America - Freedom to Fascism" runs for
105 minutes in this, its "expanded theatrical version". It is
good if not remarkable. The first hour is solely a challenge to
the US Constitutional basis for Income Tax. Most Americans don't
know that the 1913 16th Amendment remain unratified and was not
passed into Law in the individual States of the Union. Way too
much attention is spent on this one fact. It is illustrative of
the problems with America but is given too much prominence. I
suspect this is because this film was made for their domestic
audience and there is nothing more heart-warming than bashing
the IRS. What this does illustrate is the way that big
government has run rough-shod over their Constitution and the
"Law" is whatever the Judicial system says it is. Illuminating.
This opens an interesting footnote in American history but it is
par for the course for those of us who study such matters. After
this first hour we get on to the meat and potatoes of the movie
(I am sure most viewers outside the US would have long lost
interest by this point so it might be worth hitting fast forward
through the first hour) and that is the need for monetary
reform. The link between the Income Tax issue and the
privatisation of public money may not be clear to those of us in
Europe but in the US it is a different matter. Income Tax is the
mechanism by which the publically elected Government pays
interest charges to the banking system for creating debt. This
is also unconstitutional - but most people either haven't
noticed, don't understand or don't give a damn. Thus the
American economy became institutionally engineered on a
quasi-Soviet model towards generating wealth to be sucked up
into the pockets of a minority. As was quoted during the film -
if this was actually discussed in the media there would be a
revolution tomorrow. After half an hour of this good stuff the
last 15 minutes descends into a peculiarly North American
obsession - the "new world order" and "global government". It is
funny that outside of the US the words "new world order" (to
most people) would mean US hegemony. The words "world
government" would be rather meaningless in the light of the fact
that governments have lost their right to govern in country
after country as international agreements and the policies of
the IMF & WTO have rendered public mandate irrelevant. The
confusion is about terminology. Most of us would agree that we
are heading towards "global governance" or, indeed, "global
corporate governance" but to describe it as a "government" gives
it way to much credit. "Government" implies organisation and
centralised controlled. North Americans talk about the
evaporation of government and it replacement by private finance
and transnational corporations as if it is its own "government".
This is a peculiar use of the word. Its use is probably a
reflection of how US liberals agonise over the malignant effect
of their own foreign policies. Since it is hard to recognise
blame they transfer it to a "world government" rather than their
own. Outside the US we know who to blame.
Beyond
these points the film drifts off into some navel-gazing upon the
wrongs of ID Cards and RFID Tags. All very Orwellian but rather
too conspiratorial to hold a lot of weight. It waters down the
impact of the movie so it goes out on a puff rather than a bang.
As a slice of modern American paranoia this is all very
instructional but its lack of global perspective means it
doesn't travel well. America remains obsessed with itself as if
the damage it does is entirely internal. It is not. Grow up. |
V for Vendetta

"Ideas are
bullet-proof" Maybe not a big box-office draw but a big hit with film fans
rated 116 in the top 250 best movies as voted for by IMDB users. Probably
not since Steven Spielberg's "Munich" has such a post-9/11 movie stirred up
so much controversy. Utterly spellbinding cinema. An instant timeless
classic. Stirring, Topical. Poignant. How did a movie with such a dumb
title spark such passion? The original Alan Moore graphic novel was written
during the 1980's and imagined the rise of English Fascism as a conclusion
to the coming to power of Margaret Thatcher. As such it was extremely
anti-establishment. The choice of London as a backdrop is intriguing.
Although the reality has departed from the novel (a long way), recent world
events, and the rise of the religious-right in North America, draw
frightening parallels to events in the novel. These parallels were apparent
to the Wachowski brothers who updated the story to include current events.
Chillingly the words "America's War grew worse and worse and,
eventually it came to London" feature in the
story. Events are triggered by bombings of the London Underground which
leads to the rise to power of a fascist part known as "Norsefire".
The story is set around 2035 some years after Norsefire's rise to power. All
the blacks, gays, Muslims and immigrants have been murdered or expelled
during a period known as the 'reformation'. This period was triggered by a
terrorist biological warfare attack upon England. The hero - "V" - is a
former inmate of a concentration camp where he was used for medical
experiments for developing germ warfare agents. He escapes and hatches a
plot to blow up Parliament in order to bring down the regime. He also plans
to kill all those who ran the camp where he was interred and where so many
innocent lives were lost. Along the way he accidentally becomes allied
to a girl - Evey (Natalie Portman). A detective Finch (Stephen Rea)
is attempting to hunt down V & Evey before the secret police get to
them. His detective work leads him to believe that the Terrorist
attack (that lead to the Reformation and rise to power of Norsefire)
was not all that it seemed. Therein lies the political dynamite in
the plot. The Norsefire regime, of course, label "V" as
a 'terrorist'. Yet he is the hero of the story. Whereas Spielberg's
"Munich" chose to question the wisdom of State-sponsored revenge
assassination of so-called terrorists, "V for Vendetta" tackles the
issue of "what is a terrorist" head-on. The movie also clearly
illustrates the process whereby democracy can easily be turned into
dictatorship.
Events leading up to Norsefire gaining power clearly
parallel Germany in the 1930's. Even more obviously the events have
parallels to World events in 2005 when the movie was made. Proof, if
any was needed, that we are condemned to repeat history if we don't
learn from it... Pearl Harbour, Gulf of Tonkin, the burning of the
Reich Stag, the Twin Towers.
It's is all the same. Any Government can engineer events, and the
subsequent public fear, to give them the power they desire. |
Oil, Smoke & Mirrors
"There is no War on Terror". This documentary really grows on
you. It is not aimed at a mainstream audience because it is
primarily concerned with the link between Peak Oil and the War
on Terror. Although practically everyone makes this link this
movie goes right for the jugular on 9/11. It launches this as a
surprise half way through the documentary. We get a good
assortment of talking heads - everyone from Colin Campbell and
Richard Heinberg to Nafeez Mosaddeq Ahmed (author of the
wonderful "War on Truth") and Michael Meacher MP. The first half
hour is a decent representation of the problem of Peak Oil but
then we hit the 9/11 Conspiracy Theory section. This is so
highly controversial that even the program makers print a
disclaimer saying that not everyone participating in the movie
would agree with each other on the matter. The makers have taken
a big risk with this approach and they do carry it off
remarkably well. (And they all do it without one mention of
Michael Ruppert. Very clever.) It is all glued together with a
wonderful red firework graphic motif that illustrates the curve
of Peak Oil and a suitable piece of hypnotic music. It is slick
and convincing. The 9/11 Conspiracy section could have sunk this
documentary. Indeed, many will still find this unpalatable.
However, the talking heads carry this off with such tremendous
authority that you just have to pay attention. It is so
matter-of-fact it opens your eyes. It still stretched
credibility as to why it would be necessary to actually demolish
and implode the twin towers with thermite explosive. This is all
so unnecessarily complex. However, to fly four hijacked
airliners around the skies of the most heavily defended airspace
in the world for an hour without interception is till a
mind-boggling fact that defies all explanation. Was it all setup
to provide a convenient excuse to take over the world's last
remaining Oil fields? We'll probably never know. However, the
fact is that it was all too convenient. This can be coupled to
the fact that there is plenty of historical precedence for
democratic Governments conjuring up terrorist outrages in order
to exercise undemocratic control of domestic population and to
pursue aggressive foreign policy. You need only look at the
burning of the Reichstag. As long as the powers-that-be can
maintain public incredulity that such a crime could be committed
against them then no further cover-up is required. It is a
surprise in this movie to see how passionate Richard Heinberg is
about this topic. It is not the sort of thing that you would
associate him with as he is the great Peak Oil guru and not seen
as a political animal prone to flights of fancy. This can only
be evidence of just how many 'peak oilers' are viewing world
events differently now. Has 9/11 Conspiracies gone mainstream?
It remains a dirty word to many. Many will close their eyes and
minds to the very concept. Whatever the truth you don't have to
believe a word of it to look
at the world differently from now on. In ten years, when Oil and Food Prices are
spiralling, unemployment is at 15% and your
country's Army is sending its dead back at midnight by the
plane-load, you will be seeing Peak Oil. Of course the Media and
Politicians will blame terrorists or lack of investment or
anything else-but-peak-oil. You will know the truth. When the
history books are written they will label the period 'peak oil'
in retrospect. To learn more about this movie and order your
copy go to
www.oilsmokeandmirrors.com. Recommended. |
The Corporation
Many reading this page may have never heard of this movie.
Many will find its anti-corporate message a bit too
left-wing to be acceptable or interesting. However,
there is much material here that is relevant. Whilst it
doesn't exactly tackle Peak Oil there are many participants
who talk about depletion of resources by Global (read
American) Corporations who operate in the manner of a
psychopath. For this we often read 'immoral' but that would
be a mistake. A psychopath is 'amoral' he, she or it has no
morals. A Corporation is a machine to make money and it will
do it in any fashion it sees fit. As such there is nothing
surprising with this. The damage is done in a system (such
as the US) where 'Corporate Capitalism' (or worse 'Corporate
Democracy')
is in place. Where the decisions that effect our
lives and those of our children are not made by us in open
debate but are made by Corporations behind closed doors and
then acted upon by Governments. This movie calls for the
reining-in of Corporate Power. This is highly pertinent if
we look at how ExxonMobil has funded Climate Change Denial
programs in the US. However, most Business is small-business
run by good people for the benefit of their workers and
communities. So don't get too caught up in anti-business
fervour! |
Crude Impact
"It's worse than you think... but it's not too late." Without a
doubt the best Peak Oil documentary made to date. Both moving,
emotive and entertaining this 98 minute extravaganza hit the
screen during 2006. It won a string of awards at various Indy
film festivals and stands head and shoulders above the similarly
titled "A Crude Awakening". It gets off to a cracking
start although the opening comment by Matt Simmons could have
been better chosen. The production is so slick that it will
easily draw in even the most disinterested of viewers. Whilst many of the talking heads
appear in many of the Peak Oil movies, you see on this web site,
this movie is far more visually thrilling. The makers got out of
their Director's chairs and actually travelled the globe to
supply probably the most holistic view of the ill effects of
Oil upon the nations of the world. Unlike other Peak Oil movies
this one looks more closely at the effect upon the environment,
people and climate. The effect upon our
population is touched upon in quite a sensitive fashion. It is
well scripted and easily understood. We even get treated to an
amusing slot on the lack of coverage of these matters in the
U.S. Media. News has been replaced by "infotainment" after the
networks were deregulated. God help us if this happens anywhere
else. Americans don't get to see what is "really happening in
the World" as their airwaves are filled with trivia. Instead the
media are in bed with the corporations. The most touching piece is
the section on the protestors in Nigeria who fought the
Government and the Shell Oil Company only to have their leaders
tried in a kangaroo court and executed.
The fight goes on in
their name. Here we see, not only the link between Oil and War but
also Oil and Poverty. Apart from a few western countries who
were in on the ground floor of the Industrial Revolution, all the
other latecomers have not benefited from Oil at all. It lead
to more poverty not less. We get to see the opinions of Richard
Heinberg, Michael Klare, Matt Simmons and Kenneth Deffeyes. This
is the best documentary you will see on the subject. You can get
your copy from either
www.peakoilstore.com
or
www.powerswitch.org.uk. Recommended. Learn more about this
movie at
www.crudeimpact.com. This is close as we have got so far to
Peak Oil's "An Inconvenient Truth". It ends on a really lame
song for the end credits which is really disappointing. Al Gore
got an Oscar winning song by Mellisa Etheridge that could just
move you to tears. A Peak Oil Movie should and must move its
audience to tears. We just haven't seen that quite yet. |
Escape from Suburbia
"Escape from Suburbia - Beyond the American Dream" is a full
length feature running to 95 minutes. It is Directed by Gregory
Greene and is his sequel to "The End of Suburbia - Oil
Depletion and The Collapse of The American Dream". 2007's
"Escape...." picks up where the previous work left off. This is North
American-centric. In the U.S. the problem of Suburbia has
reached its ultimate absurdity but there is nothing here that
would not be familiar to the people of the industrialised
Nations of Europe or Asia. In our more crowded confines our
Suburban nightmare finds expression in the trips to the
out-of-town Supermarket. Maybe the difference for Europeans is
our population density. Whereas Americans look to retreat into
their wilderness there is nowhere for the average Briton to run
to. We have to make a stand. Greene's first movie was criticised
for not having enough women in it. With this follow-up he
redresses the balance because this movie is about what ordinary
people are doing rather than what the Oil Geologists say. It is
about practical examples and leadership. This move was an indie
success story, winning major festival awards and attracting major media
attention. Such a
movie can be used to raise awareness but it does run for too
long. It follows the stories of various communities and
activists in various locations in the U.S. Their story is one of
either running away or making a stand. Either way
they are getting ready for a low-energy world and relocalising.
The documentary is littered with expert talking heads with both
Matthew Simmons and Michael Ruppert given extensive opportunity
to express their opinions. However, if that doesn't impress you
then the other experts on hand is a who's who of shakers and
movers in the Peak Oil world. In fact everyone bar Colin
Campbell makes an appearance. The movie describes itself as a
'wake up call'. It challenges the paradigm of infinite growth
and shows the alternatives that citizens are pursuing.
There
are countless thousands coming together to discuss Peak Oil and
to work to relocalise their communities to ensure their
survival. An inspirational work. Special mention must be made
for the section on the LA Community Farm that the local
authority had bulldozed to build a warehouse. They claim it was
needed for 'jobs'. Do jobs come before food? What a tragic waste.
What a setback. The delusion of never-ending growth will have
these occasional victories over sustainability but the ball is
rolling. Let it gain momentum. Show this movie to your friends,
family and community. Relocalise now. Get your copy from
www.powerswitch.org.uk/order.htm |
Peak Oil - Imposed by Nature
This 28 minute documentary is by Norwegian Producer/ Director
Amund Prestegard. For your money you get a bunch of talking
heads as Amund stitches together a series of interviews with
the likes of Geologist and ASPO Chief, Colin Campbell, and
well known author and Energy Consultant, Matthew Simmons -
who wrote "Twilight
in the Desert". For good measure we get a thankfully
short slot for Michael C Ruppert, to peddle his usual slant
on conspiracy theories, before an even shorter slot for a
canned George Bush speech. The other talking heads are
authoritative but largely unknown. The camera-work is mostly
fly-on-the-wall-documentary-style as Amund appears to have
no camera tripod. There are no funky graphics and no
comforting voice-over to string it all together. It all
looks like a cheap Corporate Marketing video. We get to see
Colin Campbell present his case in a Speaker's Committee at
the House of Lords. Nobody in the Government turned up.
Colin dominates the half hour. At times his story
is quite
touching as he introduces the sad
tale
of the extinction of a mollusc by way as analogy for the
position of mankind. At the end we see him shuffling into
his home with some logs to add them to his wood-burning
stove. He takes the end-of-oil seriously. This work is
educational, accurate, brief and unexciting. It won't score
high on the entertainment stakes so will not prick the
public consciousness to any significant extent. We still
await Peak Oil's "An Inconvenient Truth". DVD
Available from
www.troposdoc.com/006.htm |
What A Way To Go
An enormous 123 minute movie that is more art than science.
It is so unnecessarily long that it comes with an opening
statement that suggests the audience let the experience just
wash over them at the first watch. Quite why there are so
few good movies about Climate Change and Peak Oil when so
much money has been spent on this project in unfathomable.
Despite the high production values and the slick packaging
this comes over as a film-school project for one of their
more pretentious doom-merchants. It is the kind of thing you
will sit through once and then never watch again. The maker
admits that he interviewed some of his friends and
neighbours to make this. At the same time he has conjured up
a broad spectrum of the authors of all the books he has
read. Of note is the inclusion of the Richard Heinberg.
However, as Richard appears in practically every Peak
Oil-related film on this web site then this is nothing new.
Practically nobody else appearing here is of note outside of
the small circle they inhabit. There is not much here about
Peak Oil or Climate Change. Instead you get a doom-laden two
hour recitation of poetry ("a personal essay") interspersed
with occasional talking heads who wax lyrical about the
reasons WHY
mankind has drifted into this state of affairs. It seems we
all
went wrong when we stopped being hunter-gatherers and
started agriculture. Really helpful insight (not). This
won't help you at all. It is occasionally thought-provoking
but seldom does it warrant the praise that the cover sleeve
quotes suggest it received. It will leave most audiences
cold - and that is if they stayed awake or didn't walk out
in the first ten minutes. The LAST movie you would ever show
the uninitiated. Not recommended. Learn more at
www.whatawaytogomovie.com. |
|
|
 |
|
Further Reading & Watching: |
|
 |
|
|
|
 |
 |
|
Required reading:

Gore Vidal "Perpetual War for Perpetual Peace"

George Orwell "1984"

Michael Moore "Dude, Where's My Country?"

Noam Chomsky "Deterring Democracy"

Robert F Kennedy Jr "Crimes Against Nature"

Nafeez Mossadeq Ahmed "The War on Truth"
|
|